Dean bass guitar serial number lookup full#
Dean bass guitar serial number lookup series#

His apprentice, Jimmy D’Aquisto came to work one morning and found D’Angelico dead from pneumonia and a heart attack. During a particularly cold winter of 1964 D’Angelico contracted pneumonia, but like most self-employed entrepreneurs he continued to work. Every Dean guitar made in United States comes with a seven digit serial number that is printed on the back of the headstock.

Dean bass guitar serial number lookup series#

John D’Angelico became very ill in 1959 and suffered a series of heart attacks in subsequent years. As kcbuck indicated, Dean guitars made in the USA follow a serial number pattern consisting of a 7 digit number with the first 2 numbers being the year of manufacture, followed by instrument production numbers.

Dean bass guitar serial number lookup full#

The Monteleone instrument was 18 inches across to lower bout, which was a full inch larger than the versions that D'Angelico or D'Aquisto produced.ĭ’Angelico guitars contain a serial number inside the bass f-hole and range from 1001 to 2164. Its purpose was to allow the player to better hear the guitar. This sound port could be opened or closed. Monteleone included 4 unusual sound holes on the instruments top and an additional one on the guitars upper side. In 2007 luthier extraordinaire John Monteleone begqn his version and even added extra flairs, but making a scroll design on the upper bout that is similar to the design on a Gibson F-5 mandolin. D'Aquisto's version had all the features of his Solo model, along with the fin.ġ957 D'Angelico Teardrop - 1993 D'Aquisto Teardrop - 2008 Monteleone Teardrop He then challenged Jimmy D'Aquisto to build a similar guitar. In 1993 wealthy guitar collector Scott Chinery acquired the D'Angelico Teardrop guitar from the Mandolin Brothers music store paying $150,000. These bore the other D'Angelico touches, such as the Empire State Building truss rod cover and his uniquely shaped pickguards. The New Yorker guitar had an 18 inch body. Perhaps this was in response to the Strombergs building a similar sized guitar. This was perhaps his most popular model.ĭ’Angelico made the decision to produce a larger instrument and called it the New Yorker. Although there were some Excel guitars produced as early as 1934. The Style B was phased out in the 1940’s and replaced by the Excel, which also had a 17 inch body. Some early examples also came with the stair step tailpiece that came to be another trademark of D'Angelico guitars. This model was the first to have a finial grace the unique head stock shape that became a symbol of a D'Angelico guitar. The Style B which also had a 17 inch body, although some examples measure it as 16 3/8th's inches. These guitars included the Style A, which much like the Gibson L-5 had a 17 inch body and his first original style head stock. They were all based on the popular Gibson L-5. By the latter part of the 1930's John D'Angelico had settled on building only four styles of guitars.