The blair witch project 2016 watch free update#

If there’s an essential difference between Blair Witch & The Blair Witch Project in terms of narrative approach, it’s that the original film was dedicated to the process of telling while the modern version lives by the virtues of showing. Wingard & Barrett do seek out a few opportunities to pull the rug from under the audience, especially in the film’s final act. That’s not to say that Blair Witch is a strict retread of its predecessor, however. However, it can also feel like wasted time in a film that mostly plays by the rules of its genre, never pushing that aspect to the point of self-aware parody. It’s a detail that points to both the passage of time between the two films (especially in moments where the HQ digital photography of today clashes with the standard definition DV tapes of old) & the sequel’s reverence for found footage aesthetic (while also poking a little fun at it as a contrivance). There’s as much focus on gear here as there is in Russ Meyer’s love letter to pinup photography, Heavenly Bodies!, with a wealth of shots devolving into people filming each other filming with various gadgets: old camcorders, state of the art Cannons, drones, earpiece cameras (which affords the film a few scenes of a Hardcore Henry style of 1 st person POV), etc.

The blair witch project 2016 watch free update#

The only noticeable update in the film’s basic structure is in the quality of technology available to the film student documentarians capturing the strange, spooky happenings of the woods. Blair Witch mirrors the basic structure of its source material to the point where it occupies the same sequel/reboot gray area of titles like Ghostbusters (2016) & The Force Awakens. They’re basically excuses to a) get young potential victims to the woods and b) commit to a classic horror film dynamic where out of towners are punished for scoffing at locals’ superstitions. The narrative setups to these films don’t really matter all too much, though.

Over the course of the film, in a way, he finds a little of both, but the answers come in the form of violence and more questions (duh).

As the missing woman’s disappearance is well over a decade in the past, her brother is presumably less hopeful about actually finding her than he is about finding what happened to her. This followup is, by contrast, a search for closure. The original film was a search for the truth about an old world mystery. In this version of the story the younger brother of one of The Blair Witch Project’s documentarians/victims ventures back into the woods to investigate his sister’s mysterious disappearance. There’s not much of a plot to spoil in Blair Witch if you’re already experienced the original film. Blair Witch finds Barrett & Wingard working in the straightforward genre picture mode they started their careers with in the horror anthology V/H/S when the film desperately needed the prankster spirit they brought to You’re Next & The Guest. There are some interesting, bizarre ideas & rug pulls that shape their Blair Witch film, but they’re not pushed nearly far enough to distinguish the final product from the billion other The Blair Witch Project devotees we’ve encountered since 1999. That’s why it’s a shame that Wingard & Barrett delivered such a straightforward found footage horror here. For every found footage horror that feels exciting & fresh ( Creep, Unfriended) there’s a heap of examples that feel unnecessary & more than a little bit silly ( The Visit, They’re Watching, Cloverfield, Exists, Da Hip Hop Witch, etc.). In the late 90s a found footage, documentary-style horror played like a game-changing innovation, to the point where some audiences were even convinced that the film was “real.” In 2016 the gimmick can feel a little tired & old hat. In the years since its 1999 release the original The Blair Witch Project has earned a growing reputation as being one of the greatest American horror films of all time, but has also suffered the misfortune of inspiring an entire subgenre of imitators. Unfortunately, their usual knack for subversion & experimentation within genre bounds is mostly checked at the door in their latest feature, the years-late sequel/reboot hybrid Blair Witch. Director Adam Wingard & writer Simon Barrett have made an exciting reputation for themselves with their last two feature film collaborations: the home invasion subversion You’re Next & (my personal favorite) the action thriller by way of John Carpenter horror The Guest.